Because the font files are stored invisibly on your hard drive, you can’t get at them. However, you cannot include them when you package an InDesign document for archiving or delivery to a printing company.
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For example, you can use them with any application, embed them into PDF and EPUB files, convert their characters to outlines, and so forth. Typekit’s desktop fonts behave almost the same as other fonts on your computer.
Web fontsīecause Typekit offers its fonts in both desktop and Web formats, we need to understand the difference between them.
In addition, because Typekit is part of the Creative Cloud, you have access to all of its fonts from any computer that has Creative Cloud apps installed-you just log in with your Adobe ID and the fonts are available to you. So for example, you could choose Myriad as a client’s branding standard, and use it on all their materials and Web pages. One of Typekit’s attractions is that most of the fonts are available in both formats. Typekit’s desktop fonts may be used with any desktop application (not just Adobe’s), and its Web fonts can be used with Dreamweaver, Muse, Behance, or any other website creation tool.
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Typekit is a collection of fonts in both Web and Desktop (Print) format that you can download and use in your printed and electronic documents and also on websites. But Adobe hopes to solve those problems with Typekit, which they acquired in 2011 and is now included with every subscription to the Creative Cloud. To make matters worse, the technology to serve custom fonts on websites is cumbersome and expensive. And if that project includes a website, then your font choices become considerably more limited if you want to use the same fonts on a client’s website as on their printed and digital materials. Joking aside, having a huge font collection isn’t about pride of ownership as much as it’s about having a wide variety of choices when designing a project. But soon, font prices came down to the degree that graphic designers developed a saying: “He who dies with the most fonts, wins!” Early in the desktop publishing revolution, fonts were very expensive and choices were few.
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